Each month we are hosting an Online Reading of an exciting new stage play. Performers are invited to breathe life into the words on the page, while connecting with projects in early development.
Book to read a role, or just to listen and witness the creative process. A place for writers, directors, producers, and theatre makers to connect and discuss how to take a script from page to the stage.
A chance for performers to play in a safe and friendly environment, hone their acting craft, practice their sight reading skills, and delve deep into some rich and meaty text.
Have access to the information above by audio.
R previous reads
- #29 MERCY HOUSE by Christopher Coleman17 Dec 2023, 18:30 – 21:00 GMT
- #28 GASLIGHT, GATEKEEP, GIRLBOSS by Millie Bloom21 Nov 2023, 18:30 – 21:00 GMT
- #27 NEW MOON by Anoushka Beazley28 Oct 2023, 18:30 – 21:00 BST
- #26 MARSHLIGHT by Calvin Jordan27 Sept 2023, 18:30 – 21:00 BST
- #25 HATTIE: A SEAT AT THE TABLE by Krystle Dellihue26 Aug 2023, 18:30 – 21:30 BST
- #24 THE LING DYNASTY by Simon Ly28 Jul 2023, 18:30 – 21:00 BST
- #23 ONDINE: A QUEER FAIRY TALE by Brett Crandall & THE COLOURS OF MY LOVE by Graham Knapman29 Jun 2023, 18:30 – 21:00 BST
- #22 SHRINK by S.L.Page28 May 2023, 18:30 – 21:00 BST
- #21 VIRGINITY AND THE SUBURBS by Nayib Jean Baptiste28 Apr 2023, 18:30 – 21:30 BST
- #20 BLUEBERRIES FOR THE RAINBOW by Hazel Fattorusso29 Mar 2023, 18:30 – 21:30
- #19 RAW SEX APPEAL by Tom Zachar27 Feb 2023, 18:30 – 21:30
- #18 TOOTH AND NAIL by Alison Roe29 Jan 2023, 18:30 – 21:30

Supporting performing artists and emerging writers to develop their own work.
What people say about R
The technical facility proved flawless! I'm now well-equipped to make impactful
revisions & take what was a good yet flawed piece of theater to a higher level.
Michael Swiskay, Playwright
It gave me a renewed confidence in myself, the play & my writing ability,
without which I’m unsure if I would have had the belief to put my play forward for competition.
I took home the Scriptwriting & Co/Posterity Entertainment Award & will see the play go into production in the UK & receive
a £100K funding.
I really enjoyed taking part in the play reading. As an actor I’m always looking for ways to
feed my creativity. I certainly feel nourished. I have also been writing & it’s spurred me on to keep working on it.
Deborah Cordon, Actor
Derek Masterson, Playwright
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